ridiculous.
âLetâs play twenty questions,â Chelsea says. She presses her face up against the glass. âIâll go first. Are weââ
Roger puts a finger to his lips, then turns up the music. The orchestra hits a crescendo. He waves his right hand through the air like a conductor, vibrating it on the last note for ten startling seconds. Clearly the guyâs a sociopath.
Our eyes meet in the rearview mirror and I quickly look away. Focus on the passing desert landscape. I count the sagebrush. Five, six, seâ
Rogerâs headlights skim over white bone. A skull. I can see the empty eye socket, the sharp teeth.
My tongue grows paralyzed.
âCoyote,â Nick says. âThereâs a few of them around.â
Sweat rolls between my shoulder blades. I stretch across Chelsea to crack open the window and a cloud of hot dust blows up in my face. My chest constricts. I canât get enough air.
Ahead, a giant building emerges from behind a rolling hill like some kind of sand creature. I lean forward for a closer look.
Wind and heat have stripped the paint, giving the exterior an eerie sandblasted appearance. Wooden planks crisscross each window and a chain-link fence at least ten feet tall surrounds the perimeter, barbed spikes glinting like razor blades.
Cautionary signs pepper the entrance: KEEP OUT! PRIVATE PROPERTY! VIOLATORS WILL BE PROSECUTED!
My skin prickles. âWhat is this place?â
âStay here,â Roger says. He gets out of the car to unlock the first gate. Behind it, another, even more complex lock protects the ramshackle building in the background.
âHoly crap, this place is tighter than Fort Knox.â Chelsea tucks her feet under her butt and peers over the driverâs-side seat. âLooks like an UltraSafe electric strike from here.â
âDoesnât make sense. Should be a keyless entry,â Mat says. âUnless thereâs some kind of wind interference that would mess with the connection.â
My eyebrows raise. âElectric strike? Wind interference? Is that code for weâre fuckedââ ?â
For some reason, this makes Nick laugh. âNah, theyâre just showing off.â
Roger climbs back into the car, an unlit cigar dangling from his lips. He drives through the first gate and stops at a keypad just inside the perimeter. Four obscured digits later and weâre through.
My insides twist like a Rubikâs Cube.
What is this place? Maybe Iâve seen too many B-grade horror flicks, but my imagination has started working up a few bloodcurdling explanations.
Torture chamber.
Prison for delinquent teens.
Morgue.
Fuck, I hope not. A few years back, Emma and I found half an animal carcass in the field behind one of our foster homes. Bloated. Covered in maggots. The smell of rotting flesh stuck with me for weeks, clinging to my skin like burned motor oil.
I tamp back a shudder.
Roger parks the car, tucks the cigar behind his ear, and peers in the rearview mirror, his glasses resting slightly askew on the edge of his nose. A roar fills my ears as every muscle tenses.
âWell then, shall we go inside?â he says, like weâre not body rocking into a scene from Hostel . At our collective hesitation, he grins, and Iâm sure my pulse has never spiked so fast. âI assure you, youâre all safe.â
Thatâs exactly what I would expect a serial killer to say.
Irritation leaks into Nickâs voice. âWhat kind of game are you playing here, Roger?â
Rogerâs response is the sound of the car door closing as he gets out. At the front of the building, he pauses, turns around. Moonlight shimmers on his face and I actually recoilâI could swear his eyes burn red. The image stays with me even as he slides inside the building.
âThis is fucked up,â I say.
Nick arches an eyebrow. âItâs your fault weâre here.â
Heâs not wrong. Maybe I
John Hill, Aka Dean Koontz