worked at the Hotel Adlon.â
âRight. Everyone stays at the Adlon.
Grand Hotel
. The film, I mean. Vicki Baum, wasnât it? The Austrian writer.â
âYes, I think so.â
âThought so. Iâm a writer myself. Books, plays. Working on a play right now. A comedy thatâs based on Shakespeareâs
King Lear.
Itâs about a man who has three daughters.â
âThereâs a coincidence.â
Maugham laughed. âQuite.â
âI suppose it would be too much of a coincidence if you were not related to the other Maugham who lives around here.â
âHeâs my uncle. Matter of fact, he used to know Vicki Baum, when he was living in Berlin before the first war.â
The drinks arrived and Robin Maugham grabbed his glass of white wine off the waiterâs tin tray with the impatience of the true drunk. I should know; my own greenish glass had taken on the aura of the holy grail.
âHe likes Germans, too. Willie. Thatâs what we call the old man. Speaks it fluently. On account of the fact that before med school he spent a year at the University of Heidelberg. Uncle Willie loves Germany. Heâs particularly fond of Goethe. Still reads it in German. Which is saying something for an Englishman, I can tell you.â
âThen we have something in common.â
âYou too, eh? Jolly good.â
It was easy to see that Robin Maugham was a playwright. He had an easy way of speech about him, a talky, bantering sort of chat that concealed as much as it revealed, like a character you knew was going to prove much more consequential than he seemed if only by virtue of his prominence on the theater bill.
âYou know, what with the bridge and the German, perhaps youâd like to make up a four at the Villa Mauresque one night. The old man is always keen to meet interesting new people. Of course, heâs notoriously private, but Iâll hazard a guess that the concierge at the Grand Hôtelânot to mention someone who worked at the famous Adlonâwell, that person must be used to keeping a few confidences, what?â
âIâd be delighted to come,â I said. âAnd you neednât worry about my mouth.â
I thought about Anne French and what she might say when I told her Iâd been invited up to the Villa Mauresque. It was possible she would perceive my invitation as an affirmation of her own strategy: to learn bridge in order to meet Somerset Maugham. But it seemed equally possible that she would see it as some kind of betrayal. And while for a brief moment I considered simply not telling her in order to spare her feelings, it seemed to me that my being there at all could only help to facilitate her own invitation. Alternatively, I might be her spy and report on how things really were at the Villa Mauresque, providing her with the color she needed for her book.
âBut I feel I ought to read one of his novels,â I said. âIâd hateto have to admit that I havenât read any. Which one would you recommend?â
âA short one. My own favorite is
The Moon and Sixpence
. Which is about the life of Paul Gauguin. Iâll lend you my own copy if you like.â
Robin Maugham looked at his watch. âYou know, it occurs to me that we could still make dinner at the villa. That is if you havenât already dined. Willie keeps a very good table. Annette, our Italian cook, is wonderful. Willie was in a good mood today. Rather absurdly, an invitation to the forthcoming wedding of Prince Rainier and Grace Kelly in Monaco seems to have left him as delighted as if he was getting married himself.â
âI got an invitation myself but sadly I shall have to decline. It would mean finding all my decorations and buying a new suit, which I can ill afford.â
Robin smiled uncertainly.
I looked at my own watch.
âBut sure. Letâs go. I donât mind interrupting my alcohol consumption with some