islet’s museum there is a twisted
wine-bottle, crusted with fool’s gold from the iron-
cold depth below the redoubt. It has been listed
variously by experts: one, that a galleon
blown by a hurricane out of Cartagena,
this far east, had bled a trail of gold bullion
and wine from its hold (a view held by many a
diver lowering himself); the other was nonsense
and far too simple: that the gold-crusted bottle
came from a flagship in the Battle of the Saints,
but the glass was so crusted it was hard to tell.
Still, the myth widened its rings every century:
that the Ville de Paris sank there, not a galleon
crammed with imperial coin, and for her sentry,
an octopus-cyclops, its one eye like the moon.
Deep as a diver’s faith but never discovered,
their trust in the relic converted the village,
who came to believe that circling frigates hovered
over the relic, that gulls attacked them in rage.
They kept their faith when the experts’ ended in doubt.
The galleon’s shadow rode over the ruled page
where Achille, rough weather coming, counted his debt
by the wick of his kerosene lamp; the dark ship
divided his dreams, while the moon’s octopus eye
climbed from the palms that lifted their tentacles’ shape.
It glared like a shilling. Everything was money.
Money will change her, he thought. Is this bad living
that make her come wicked. He had mocked the belief
in a wrecked ship out there. Now he began diving
in a small shallop beyond the line of the reef,
with spear-gun and lobster-pot. He had to make sure
no sail would surprise him, feathering the oars back
without clicking the oarlocks. He fed the anchor
carefully overside. He tied the cinder-block
to one heel with a slip-knot for faster descent,
then slipped the waterproof bag around his shoulders
for a money-pouch. She go get every red cent,
he swore, crossing himself as he dived. Wedged in boulders
down there was salvation and change. The concrete, tied
to his heel, pulled him down faster than a lead-
weighted, canvas-bound carcass, the stone heart inside
his chest added its poundage. What if love was dead
inside her already? What good lay in pouring
silver coins on a belly that had warmed him once?
This weighed him down even more, so he kept falling
for fathoms towards his fortune: moidores, doubloons,
while the slow-curling fingers of weeds kept calling;
he felt the cold of the drowned entering his loins.
II
Why was he down here, from their coral palaces,
pope-headed turtles asked him, waving their paddles
crusted with rings, nudged by curious porpoises
with black friendly skins. Why? asked the glass sea-horses,
curling like questions. What on earth had he come for,
when he had a good life up there? The sea-mosses
shook their beards angrily, like submarine cedars,
while he trod the dark water. Wasn’t love worth more
than the coins of light pouring from the galleon’s doors?
In the corals’ bone kingdom his skin calcifies.
In that wavering garden huge fans on hinges
swayed, while fingers of seaweed pocketed the eyes
of coins with the profiles of Iberian kings;
here the sea-floor was mud, not corrugating sand
that showed you its ribs; here, the mutating fishes
had goggling eye-bulbs; in that world without sound,
they sucked the white coral, draining it like leeches,
and what looked like boulders sprung the pincers of crabs.
This was not a world meant for the living, he thought.
The dead didn’t need money, like him, but perhaps
they hated surrendering things their hands had brought.
The shreds of the ocean’s floor passed him from corpses
that had perished in the crossing, their hair like weeds,
their bones were long coral fingers, bubbles of eyes
watched him, a brain-coral gurgled their words,
and every bubble englobed a biography,
no less than the wine-bottle’s mouth, but for Achille,
treading the mulch floor of the Caribbean Sea,
no coins were enough to repay its deep evil.
The ransom of
Jacquelyn Mitchard, Daphne Benedis-Grab