old enough to makeyour own decisions, you want to return to your roots.â His knuckles look yellow against the handrail. âThatâll explain why the Brotherhoodâs new to you.â He laughs shortly. âEveryone at the Institute will feel sorry for you. Theyâll want to help you truly be a Brotherhood girl.â
âBut why will they believe it?â I take two steps at a time to keep up with Oskar. âWhat will they do to me if they donât?â Why am I even thinking about this?
âWhy wonât they, K? Verity Nektonâs social worker will visit. Sheâll have all the paperwork, birth certificate, and so on. And Nekton is a respected old Brotherhood name.â Oskar stops when he reaches the landing. âAnd of course Iâll keep in touch, all the time.â
Heâs planned every detail, as if itâs real, as if Iâm part of it already. He must have been checking me out. But it was me who told him everything, wasnât it? I climb up the last flight of stairs. Why does Oskar think I would be able to do all this, when he doesnât even know me? Nobody else thinks I can do anything, not even the social worker whoâs supposed to help me. But this almost-stranger believes in me.
âWhere would I live?â
âAt the Institute,â says Oskar. âItâs not a boarding school, but some of the older students live there.â
I donât speak, because Iâm afraid that if I open my mouth Iâll just say yes to him.
âIt wonât be that hard, K.â Oskar walks toward the doors. âAll you have to do is be there and keep your real feelings to yourself.â
That should be easy for me. Itâs the one thing Iâm really good at. Years of living with people you canâttrust will do that. I smile at Oskar, and in the glass door behind him I see my eyes lit up, green and alive again, not dull and sad.
âTake all the time you need, K.â Oskar isnât smiling now. âYouâll do the right thing. You know whatâs at stake.â His eyes hold mine. âWe both know we have to do everything we can to prevent the Strife starting again.â
I look back into his eyes. Since Grandma died, Oskar is the only person Iâve known who understands a loss like mine. And now heâs offering me a way to do something about it. A chance to set my own life aside and work with him to stop our country from plunging back into war and chaos. Oskar opens the door and an icy wind cuts in.
A S WE ROAR uphill back toward the station I make two lists in my mind:
If I say yes, Iâll be working with Oskar. Isnât it true that an individual, weak and helpless on their own, can become strong when they are part of a bigger whole? Doesnât the possibility of saving even one person make it worth trying? This might be my only chance. Itâs now or never. And I could study Art, for the first time.
If I say no, Iâll never see Oskar again. Iâll still have my room at the halfway house, but only until Iâm sixteen. I canât go back to school. I will have thrown away the opportunity, however slim, to finally do something to stop them . Maybe one small piece of missing information could have stopped the bomb at Central Station. Just like one personâs observation could have saved my parents thirteen years ago.
Am I as brave as Oskar thinks? Could I really go that far?
O F COURSE I â M not going to do it. Itâs crazy, unreal. I have no idea how to be a spy.
Oskar pulls up in the train stationâs parking lot and I climb off the bike.
But as my fingers fumble with the helmet strap, I hear myself say: âIâll do it.â
What am I doing? But I can always leave, canât I?
Oskar lifts his helmet off. âGood. Good.â His face breaks out into a smile.
Itâll be OK.
He pulls off his gloves and unclasps my helmet strap because my fingers are too cold
Jessica Conant-Park, Susan Conant