The Bread We Eat in Dreams
up because my pick-up’s engine fired off in the gloam, and I know that sound like my mama’s crying. I jogged over to my car but it was already going, bouncing slowly down the dirt road with nobody driving. In the back, Coyote sat laughing, surrounded by kids, maybe eight or ten years old, all of them looking just like him, all of them in leather jackets and hangdog grins, their black hair blowing back in the breeze. Coyote looked at me and raised a hand. See you again. After all, it’s nothing we haven’t done before.
    Coyote handed a football to one of his daughters. She lifted it into the air, her form perfect, trying out her new strength. She didn’t throw it. She held it tight, like it was her heart.

The Bread We Eat in Dreams
     

In a sea of long grass and tiny yellow blueberry flowers some ways off of Route 1, just about halfway between Cobscook Bay and Passamaquoddy Bay, the town of Sauve-Majeure puts up its back against the Bald Moose mountains. It’s not a big place—looks a little like some big old cannon shot a load of houses and half-finished streets at the foothills and left them where they fell. The sun gets here first out of just about anywhere in the country, turning all the windows bloody orange and filling up a thousand lobster cages with shadows.
    Further up into the hills, outside the village but not so far that the post doesn’t come regular as rain, you’ll find a house all by itself in the middle of a tangly field of good red potatoes and green oats. The house is a snug little hall and parlor number with a moss-clotted roof and a couple of hundred years of whitewash on the stones. Sweet William and vervain and crimson beebalm wend out of the window-jambs, the door-hinges, the chimney blocks. There’s carrots in the kitchen garden, some onions, a basil plant that may or may not come back next year.
    You wouldn’t know it to look at the place, but a demon lives here.
    The rusted-out mailbox hangs on a couple of splinters and a single valiant, ancient bolt, its red flag at perpetual half-mast. Maybe there’s mail to go out, and maybe there isn’t. The demon’s name is Gemegishkirihallat, but the mailbox reads: Agnes G. and that seems respectable enough to the mailman, who always has to check to see if that red flag means business, even though in all his considerable experience working for the postal service, it never has. The demon is neither male nor female—that’s not how things work where it came from. But when it passed through the black door it came out Agnes on the other side. She’s stuck with she now, and after five hundred years, give or take, she’s just about used to it.
    The demon arrived before the town. She fell out of a red oak in the primeval forest that would eventually turn into Schism Street and Memorial Square, belly-first into a white howl of snow and frozen sea-spray. She was naked, her body branded with four-spoked seals, wheels of banishment, and the seven psalms of hell. Her hair had burnt off and she had no fingernails or toenails. The hair grew back—black, naturally—and the 16 th century offered a range of options for completely covering female skin from chin to heel, black-burnt with the diamond trident-brand of Amdusias or not.
    The fingernails never came in. It’s not something many people ever had occasion to notice.
    The ice and lightning lasted for a month after she came; the moon got big and small again while the demon walked around the bay. Her footsteps marked the boundaries of the town to come, her heels boiling the snow, her breath full of thunder. When she hungered, which she did, often, for her appetites had never been small, she put her head back in the frigid, whipping storm and howled the primordial syllable that signified stag . Even through the squall and scream of the white air, one would always come, his delicate legs picking through the drifts, his antlers dripping icicles.
    She ate her stags whole in the dark, crunching the antlers

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