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that her companion, instead of feeling that he was doing something reckless or unusual, would merely be led to dwell on the advantage of always having a companion to make one’s tea in the train.
    But in spite of her efforts, conversation flagged after the tray had been removed, and she was driven to take a fresh measurement of Mr. Gryce’s limitations. It was not, after all, opportunity but imagination that he lacked: he had a mental palate which would never learn to distinguish between railway tea and nectar. There was, however, one topic she could rely on, one spring that she had only to touch to set his simple machinery in motion. She had refrained from touching it because it was a last resource, and she had relied on other arts to stimulate other sensations; but as a settled look of dulness began to creep over his candid features, she saw that extreme measures were necessary.
    â€œAnd how,” she said, leaning forward, “are you getting on with your Americana?”
    His eye became a degree less opaque; it was as though an incipient film had been removed from it, and she felt the pride of a skilful operator.
    â€œI’ve got a few new things,” he said, suffused with pleasure, but lowering his voice as though he feared his fellow-passengers might be in league to despoil him.
    She returned a sympathetic inquiry, and gradually he was drawn on to talk of his latest purchases. It was the one subject which enabled him to forget himself, or allowed him, rather, to remember himself without constraint, because he was at home in it and could assert a superiority that there were few to dispute. Hardly any of his acquaintances cared for Americana or knew anything about them, and the consciousness of this ignorance threw Mr. Gryce’s knowledge into agreeable relief. The only difficulty was to introduce the topic and to keep it to the front; most people showed no desire to have their ignorance dispelled, and Mr. Gryce was like a merchant whose warehouses are crammed with an unmarketable commodity.
    But Miss Bart, it appeared, really did want to know about Americana; and moreover, she was already sufficiently informed to make the task of farther instruction as easy as it was agreeable. She questioned him intelligently, she heard him submissively; and prepared for the look of lassitude which usually crept over his listeners’ faces, he grew eloquent under her receptive gaze. The “points” she had had the presence of mind to glean from Selden, in anticipation of this very contingency, were serving her to such good purpose that she began to think her visit to him had been the luckiest incident of the day. She had once more shown her talent for profiting by the unexpected, and dangerous theories as to the advisability of yielding to impulse were germinating under the surface of smiling attention which she continued to present to her companion.
    Mr. Gryce’s sensations, if less definite, were equally agreeable. He felt the confused titillation with which the lower organisms welcome the gratification of their needs, and all his senses floundered in a vague well-being, through which Miss Bart’s personality was dimly but pleasantly perceptible.
    Mr. Gryce’s interest in Americana had not originated with himself: it was impossible to think of him as evolving any taste of his own. An uncle had left him a collection already noted among bibliophiles; the existence of the collection was the only fact that had ever shed glory on the name of Gryce, and the nephew took as much pride in his inheritance as though it had been his own work. Indeed, he gradually came to regard it as such and to feel a sense of personal complacency when he chanced on any reference to the Gryce Americana. Anxious as he was to avoid personal notice, he took, in the printed mention of his name, a pleasure so exquisite and excessive that it seemed a compensation for his shrinking from publicity.
    To enjoy the sensation as