The Strange Life of P. D. Ouspensky
there. We need to impress this conviction of 'difference' upon our minds so deeply that we know it is there even when we cannot see it. What good would that do? It would prevent us from falling into the negativity that devastates our energy and sense of purpose - and which also happens to be the chief problem of all human beings. On a spring morning, when we can see endless 'difference' around us, and our minds are bubbling with optimism, it seems incredible that human beings can so forget this vision that they collapse into defeat, even into suicide. Yet Ouspensky himself clearly came close to suicide when he lost his Zinaida. So this question of difference is not merely an abstract philosophical issue; it is a matter of life and death
    It is this sense of urgency and excitement that makes Tertium Organum such a refreshing book. Ouspensky is on to something important - in fact, to the most important question, and he knows it. He senses that the experience on the Sea of Marmora, or walking towards the Peter and Paul fortress, could lead to a new way of living, a new kind of freedom. He is like a migratory bird that can smell its home. For more than 10,000 years, increasing knowledge has given man increasing power over his environment; but it has not, apparently, given him increasing power over himself. Yet Ouspensky has glimpsed the answer. Perception is like a spear thrown towards an object. But our innate pessimism and laziness prevent us from putting any force behind the throw. Our negativity means that we allow ourselves to 'leak' energy. Yet the mere recognition of what is wrong should enable us to put it right, to maintain an inner level of drive and optimism that would simply prevent us from being susceptible to such leaks.
    Ouspensky asks:

    First of all, what is the new knowledge? The new knowledge is direct knowledge by an inner sense. I feel my own pain directly; the new knowledge can give me the power to sense , as mine, the pain of another man.

    What Ouspensky can feel, intuitively, is that if he can get rid of his tendency to negativity and self-doubt, his Russian melancholy, he can be a quite different kind of person. When we are asleep, or very tired, we lose even intuitive knowledge of ourselves; consciousness 'blurs'. When we are awake, we suddenly 'know' ourselves. If we were 10 times as awake - if our senses were far more highly energized - would we not 'know' other people with equal certainty? Our senses could be compared to flat batteries. How do we 'charge' them? By sheer 'concentrated attention', which has the same 'recharging' effect on the senses that driving a car has on the car battery. (Example: as you are reading this book, stop 'merely reading'. Concentrate your full attention; clench your fists, use the muscles of your face and forehead to focus your energies: but go on reading . Even a minute of this kind of effort will bring a curious sense of power and meaning, for your intellect is ceasing to work in vacuo , and is entering into active combination with your vital energies.) This is what the yogi strives for as he sits cross-legged, concentrating attention 'at the root of the eyebrows'. Unfortunately, Ouspensky's Western-style romanticism inclined him to discount this aspect of Eastern religion.
    Tertium Organum ends with a chapter about mysticism, dealing with the phenomenon that R.M. Bucke called 'cosmic consciousness'. This, Ouspensky recognizes, is what the human race is evolving towards. He quotes the mystic Edward Carpenter:

    Men will not worry about death or a future, about the kingdom of heaven, about what may come with and after the cessation of life of the present body. Each soul will feel and know itself to be immortal, will feel and know that the entire universe with all its good and all its beauty is for it and belongs to it forever. The world peopled by men possessing cosmic consciousness will be as far removed from the world of today as this is from the world before the

Similar Books

Wild Thing

Mia Watts

Assassin's Quest

Hobb Robin

Protective Instincts

Mary Marvella

Lone Calder Star

Janet Dailey

Where Roses Never Die

Gunnar Staalesen

Little Klein

Anne Ylvisaker